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A Better Treatment (Clear & Black Splatter)(Colored Vinyl, Clear Vinyl, Black)
Product Notes
Spice singer Ross Farrar speaks of the band's ambition to forge a sort of
aesthetic patois: a mode of expression as strikingly regional as it is
recognizable. Last year's self-titled debut, released in the depths of the
pandemic, fully achieved this goal, distilling decades of North Bay punk
and post-hardcore into an urgent, artful set of emotive unrest. Their latest
single, A Better Treatment b/w Everyone Gets In, further refines the
group's singular mix of weathered melody and abrasive poetics, equal
parts bracing, bruised, and cryptic.
"A Better Treatment" began as a song about a friend who died but
through the turmoil of collaboration transformed into something more
macroscopic and opaque, blurring the boundary between hopeful and
defeated ("I thought loving someone would cure my self-hatred"). Bass
and drums build against walls of guitar while the violin threads it's own
melancholy within the noise; Farrar is blunt about the intention: "The violin
is an instrument of death you know."
"Everyone Gets In" is both poppier and more pained, an anthem for angst
aging into the reverie of regret: "We lose our strength / along the way / we
lose each other / the funeral sways." The tempo sways too, gradually
slowing to an anxious crawl before finally revving back into a storm of
shimmering guitar and splashing drums, fighting against the dying of the
light. It's music of raw truths and rejected pedestals, storied but
unswerving, a revolt against the great regress: "and my / my time is spent
/ adoring seasons / that I / I never should've."
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