Posts Tagged ‘Jean Dujardin’

Know MORE about the Oscar winners’ pasts

Monday, March 5th, 2012

Christopher Plummer

I mentioned previously about the Oscars being a list for us mortals to read and rush out to see, to which there’s no problem.

I want to dive just a little deeper into the pasts of these Oscar winners, mainly because all of them have worked in the business for a while before their big wins on the big night.

Some of them you may not have a clue about, and that’s mainly due to the fact The Artist smashed everyone’s expectations, and now the public are scrambling for any French movie in sight.

Michel Hazanavicius (Winner of Best Director of The Artist)

First big directing gig: OSS 117: Cairo, Nest of Spies
The man is married to BĂ©renice Bejo (main actress in The Artist), so that should say something about the praise he deserves, but he’s also very good at directing comedies. In fact, one of my favourite films (mentioned above) has the stars of The Artist in it. Not bad a start from commercial work, huh?

Meryl Streep (Winner of Best Actress for The Iron Lady)
First big role: Julia
You may not have known this, but Meryl Steep was quite the stage lady. Her start on Broadway was what got her into films, though it was a shaky start. I can still remember her chemistry with Goldie Hawn in the film Death Becomes Her, and where I personally feel she was hilarious.

Jean Dujardin (Winner of Best Actor for The Artist)
First movie role: Brice de Nice
France’s answer to George Clooney, and suit designers’ dream model. While I only first saw him inHazanavicius’ OSS 117: Cairo, Nest of Spies, he was well-known on television for the comedy series Un Gars, Un Fille. His first big flick was Brice de Nice, surrounding a surfer dude in Nice, with all the cliche attachments of a surfer dude. Quite honestly I could watch anything with the guy and I’d find it amazing……Charming bastard.

Christopher Plummer (Winner of Best Supporting Actor in Beginners)
First hit: The Sound of Music
If you didn’t recognise the dashing young man in The Sound of Music, it’s because it’s been that long since the film was made. Beginners was a brilliant film, and the award was well-deserved. I almost forgot how long Plummer has been in the business. The Return of the Pink Panther, Malcolm X, 12 Monkeys, The Girl with the Dragon Tattoo…heck, he was even in Star Trek VI: The Undiscovered Country!

Octavia Spencer (Winner of Best Supporting Actress in The Help)
First big break: A Time to Kill
Not the most loveable first film, but you’ve got to start somewhere, right? Apparently Spencer was originally hired to work in the casting department on the film based off of John Grisham’s novel, and ended up on-screen instead. Not a bad way of getting into show business. Though with films like Big Momma’s House and Win a Date with Tad Hamilton, I’m sure this is also a big breather for her too.

Woody Allen (Winner of Best Writing – Original Screnplay for Midnight in Paris)
First screenwriting gig: What’s New Pussycat?
He is so well-known in the film industry as a mover, a shaker, and that can also be said outside the studio. But well before his success was What’s New Pussycat?, where he wrote the original screenplay, as well as writing himself more into it, causing a feud with Warren Beatty who was losing screen time. Want to be in the film more? Write yourself in more! The style of a true genius.

Alexander Payne (Winner of Best Writing – Adapted Screenplay for The Descendants)
First claim to fame: Election
Everyone was keen to see how Matthew Broderick would survive after his amazing role in Ferris Bueller’s Day Off, and while I personally found Election to have it moments of glory, others didn’t think so. But that didn’t stop Alexander Payne from working his way up to Clooney, and an Oscar.

Gore Verbinski (Winner of Best Animation for Rango)

First big flick: Mouse Hunt
His beginnings directing music videos for punk rock bands like Bad Religion and NOFX give him big kudos from me, but the loveable duo of Nathan Lane and Lee Evans chasing a mouse around a mansion is what gave Verbinski his big boost into the stars, leading on to adapt The Ring for American audiences.


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Oscars needs more music nominees

Wednesday, February 29th, 2012

Not enough of a challenge for him.

I fall prey to this every year, and I’m sure it happens to most (though I may just tell myself this to feel better), but the Oscars affect me.

Not because the red carpet has a lovely assortment of designer clothes (though no one looked better than Ryan Seacrest wearing the ashes of Kim Kong Il), nor was it hearing the amazing speeches by the winners. Meryl Streep, as much as she was joking about being up on stage again, didn’t resonate as much as she may have hoped for.

No, it’s the winners list. It’s essentially a ‘Best of 2011′ list that is the go-to for all your over-hyped dramas.

What film should I rush out to take my significant other out to watch? Well, the one with the most golden statues next to its name.

It’s incredibly easy to read the winners list as a safe bet, and in most cases it is. The Oscars don’t mean much in the grand scale of things (though the winners would tell you otherwise about their payrise).

A lot of films missed the cut, purely because there weren’t enough spots. But is that really the reason?

How many nominees were there for ‘Best Song’, for example? Two. I definitely believe Bret McKenzie from Flight of the Conchords fame deserved his award, but he could’ve had many more songwriters to compete with. What about the soundtrack from Harry Potter and the Deathly Hallows: Part 2? Or the soundtrack to The Girl with the Dragon Tattoo? Granted, those two films are very different in terms of content (and contact), but that music was intense!

The ‘Makeup’ award definitely missed out on Jack and Jill. I know that’s a horrendous example, but just imagine Adam Sandler’s face when he thinks something from his film was good. Priceless. Side note: Jack and Jill scooped up the most awards at the Razzies.

So yes, I will go out and see Hugo and A Separation.

Later on I’ll be listing some films you may want to check out to show where some of those winners came from.

For the record, I totally called it for Jean Dujardin scooping up an Oscar. Favourite part? Him yelling “Putain!”, then reading transcripts translating something softer.


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Dogs aren’t allowed on the (red) carpet

Thursday, February 16th, 2012

No no, there's dog hair in the carpet now!

Scooping up another seven awards, this time at the BAFTAs, French-directed silent film The Artist is getting a heap of well-deserved attention.

But you’d be surprised to know that the uproar hasn’t come from their smashing of the award circuit, but that Uggie, the adorable Jack Russell dog that co-stars with Jean Dujardin and Berenice Bejo, is not allowed at the Oscars.

At first you would think that’s a silly request. Letting a dog in to any upper-class place seems peasant-like. Hygiene issues would be a problem, though they have let some dirty people in there too.

The Oscars, filled with very rich people who probably pay for their dogs to be taken care of, are snubbing an animal that may just be on the same level of acting depth as the rest.

Maybe it’s for competition, who knows?

I wonder if they had just as many problems getting Buddha (Clyde) in from Every Which Way but Loose, or Beasley (Hooch) from Turner and Hooch.

I’d like to give a shoutout to another famous Jack Russell, Soccer. Though it’s fair to say I only know him as Wishbone.

If you weren’t aware of this dog, it’s because it was a 90′s kid show about a dog with a great imagination, dreaming up classic tales from novels like Sherlock Holmes and The Hunchback of Notre Dame, while his young teenager owner goes through the troubles of school life and not working.

I won’t attach any more than a cute photo of Wishbone, as I know anyone who gets the theme song stuck back in their heads are in a world of hurt.

The reason why I still have good memories even after succumbing to a YouTube ‘Search of Sadness’?

Aww, look at him.

He's robbing my heart.


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Silent, but deadly (cute)

Wednesday, January 18th, 2012

Adorable, the both of you.

The Golden Globes have handed out their trophies and created the crazy buzz that will eventually be the more glamourous Oscars. Ricky Gervais wasn’t as harsh as people were hoping to be, but at least was present.

But inside I was hoping for just one of those awards to be handed over to Michel Hazanavicius and his film The Artist. As with all golden statue-related ceremonies, most nominations are films with a particular focus that makes them stand out. No one saw Green Lantern as a nomination because it was predictable, like Thor, though I preferred Thor.

The usual picks are those with topical issues, or those that if you said you didn’t like, would label you inferior. This is common with films that ‘break barriers’ or ‘pay homage’ to a particular celebrated aspect of film.

For me it was The Artist. Filmed as a black and white movie set in the times where the ‘talkies’ were just becoming a thing in cinema, it starred a familiar face from OSS 117, the French spy film I talked about last year.

But the real star in that film was different. No, not the gorgeous co-star, nor was it the list of cameos that made you say “Ohh cool! ***** **** is in it!”. It was Uggie the dog.

Don’t know him? Watch this:

There were plenty of clips to see, but I just wanted to show you that the dog does indeed have a sponsor on his skateboard.

He already won the Palm Dog award, the animal equivalent of a Palm D’Or, but his list of films is pretty large. He was in Water for Elephants as well, and more than likely a better actor than Robert Pattison.

Any animal you’ve seen in a movie that has stolen the show?


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Don’t be afraid of foreign films

Wednesday, September 14th, 2011

'OSS 117: Le Caire Nid d'Espions'

Every once and a while we see a film that really captures our attention, and makes us want to yell on top of the mountaintops, educating the masses on something they’re missing out on.

It becomes a little more difficult if the category is under ‘foreign’ or ‘international’, because people only read:

‘Subtitles’

Convincing your friend that there is another echelon of entertainment beyond your nation is a hard sell. Again, mentioning the reading part.

Take for example a French secret agent named Hubert Bonisseur de La Bath, codename ‘OSS 117′. Based off of France’s version of a James Bond character (and created four years before Ian Fleming), OSS 117 went from novel from the ’40s to parodical portrayal of spy films. But it is only through the film OSS 117: Le Caire Nid d’Espions (OSS 117: Cairo, Nest of Spies) that I found a comedy I wanted everyone to see, but got the ol’ eye roll.

Another French film titled Bienvenue chez les Ch’tis (Welcome to the Sticks), was one of the biggest hits in all of France. It had such an effect, that there were talks of Will Smith bringing an American version of it over to English-speaking audiences. But like most remakes, I’m sure the jokes wouldn’t translate well. Given the storyline made jokes about the people of Northern France, the comedy is still there to be seen, understood, and laughed with.

Amelie was another great flick (another French film, yes, but it was one of my majors in university, d’accord?), but also made its way to international shores with great acclaim.

I won’t go into the importance of international influences on cinema (unless you want me to), but as you might’ve come across at some point, trying to convince another to watch ANYTHING can be difficult.

So here’s what you do:
1. Find out the title in English (or an equivalent).
2. Invite them over, and set everything up.
3. Don’t mention it’s from another country.
4. Once the film rolls, your friends will feel either too rude to get up and leave, or too intimidated to look stupid in front of you.

Ever been faced with problems convincing friends to watch films? Any particular films you thought were amazing or hilarious, but fell flat on its face amongst friends (oh, I’ve been there many times before)?


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