The Gabrieli Consort and Players return to the program that put them on the musical map when it was originally recorded and released in 1990: A musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fueled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. Two decades later, the Gabrieli's a New Venetian Coronation, 1595 takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques).
1 The Procession: Bells Intrada Tertia / Sexta / Septima, Trumpet Sonata No. 333 - Hans Leo Hassler, Cesare Bendinelli
2 Toccata Secondo Tono - Giovanni Gabrieli
3 Introit - N/A
4 Arrival of the Doge: Toccata 26 - Cesare Bendinelli
5 Intonazione Primo Tono - Giovanni Gabrieli
6 Kyrie 5 - Andrea Gabrieli
7 .Christe 8 - Andrea Gabrieli
8 Kyrie 12 - Andrea Gabrieli
9 Gloria 16 - Andrea Gabrieli
10 Collect - N/A
11 Epistlen - N/A
12 Gradual: Canzona [13] 12 - Giovanni Gabrieli
13 Gospel - N/A
14 Intonazione Settimo Ton - Andrea Gabrieli
15 Offertory: Deus Qui Beatum Marcum 10 - Giovanni Gabrieli
16 Preface - N/A
17 Sanctus & Benedictus 12 - Andrea Gabrieli
18 Elevation: Sarasinetta 2 - Cesare Bendinelli
19 Canzona [16] 15 - Giovanni Gabrieli
20 Pater Noster - N/A
21 Agnus Dei - N/A
22 Intonazione Quinto Tono Alla Quarta Bassa - Giovanni Gabrieli
23 Communion: O Sacrum Convivium 5 - Andrea Gabrieli
24 Canzona [9] 10 - Giovanni Gabrieli
25 Post Communion Prayer - N/A
26 Sonata la Leona - Cesario Gussago
27 Omnes Gentes 16 - Giovanni Gabrieli
The Gabrieli Consort and Players return to the program that put them on the musical map when it was originally recorded and released in 1990: A musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fueled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. Two decades later, the Gabrieli's a New Venetian Coronation, 1595 takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques).
