Dear music lovers, we are glad very much to be allowed to introduce to you a new music label: 'Santec Music'. This unique project stretches a curve of the demanding classical music up to new instrumental music. Besides, helping of orchestras of international meaning is effective also like the creativity of musicians of the most different nationality. On beauty and harmony thought, in Germany as 'New Classic' to defined compositions, are an expression of wonderful and very pleasant melodies with the most careful care of details and arrangements. These arise, primarily, from the internal setting of the musicians: They lay the biggest value on the contents of the music and compose with swing and competence. Many of the big composers of the past which unforgettable symphonies gave us can be often inspired by the nature; and thus also tries the music of 'Santec Music' from the wealth of beauty and harmony which the nature rescues by the unity of the elements together to scoop. The orchestra plays all instruments, whether piano, harp, guitar, flute, or panflute along with a string-orchestra, but it uses no electronic instruments. The new label 'Santec Music' shows one of the probably most interesting new phenomena in the area of new instrumental music in the international music scene and offers space for limitless creativity. About this CD: Grieg (1843 - 1907) was first and foremost a lyrical composer, but he also was a pioneer in the impressionistic uses of harmony and piano sonority in his late songs in the dissonance treatment in some late works. He studied with E.F. Wenzel at the Leipzig Conservator (1858-62), where he became intimateliy familiar with early Romantic music (especially Schumann´s), gaining further experience in Copenhagen and encouragement from Niels Gade. Not until 1864-65 and his meeting with the Norwegian nationalist Rikard Nordraak did his stylistic breakthrough occur, notably in the folk-inspired Humoresker for piano op.6. Apart from promoting Norwegian music through concerts of his own wirks, he obtained pupils, became conductor of the Hormoniske Selskab, projected a Norwegian Academy of Music and helped found the Christiania Musikforening (1871), meanwhile composing his Poano Concerto (1868) and theimportant piano arrangements of 25 of Lindeman´s folksongs (op.17, 1869). An operatic collaboration with Bjornson came to nothing, but his incidental music to Ibsen´s Peer Gynt (1875), the most extensive and best known of his large compositions, produced some of his finest work. Despite chronic ill-health he continued to tour as a conductor and pianist and to execute commissions from his base at Troldhaugen (from 1885), he received numerous international honours. Among his later works, The Mountain Thrall op.32 for baritone, two horns und strings, the String Quartet in g Minor op.27, the popular neo-Baroque Holberg Suite (1884) and the Haugtussa song cycle op.67 (1895) are the most distinguished.