The dominated by the German-Austrian musicology at the beginning of the last century ex cathedra announced estimates of who should be regarded in the 18th century as a composer of lesser importance, are only gradually put in question. Long Boccherini therefore had to wait with it's own, very individual approach to it's rehabilitation as an in relation to the composers of the Viennese classical equivalent artists. His 1770 incurred Divertimenti Op.16 for Flute and Strings show him as a composer, in which the entertainment value never at the expense of musical substance. The thematic ingenuity of this music seems inexhaustible, and her charm is enchanting in every sentence.
1 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 463 (Op. 16/3): Allegro Moderato
2 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 463 (Op. 16/3): Allegro Assai
3 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 463 (Op. 16/3): Amoroso
4 Sextet (Or Divertimento) for Flute & Strings in F Major, G. 462 (Op. 16/2): Grave
5 Sextet (Or Divertimento) for Flute & Strings in F Major, G. 462 (Op. 16/2): Allegro E Con Imperio
6 Sextet (Or Divertimento) for Flute & Strings in F Major, G. 462 (Op. 16/2): Grave
7 Sextet (Or Divertimento) for Flute & Strings in F Major, G. 462 (Op. 16/2): Variazioni. Allegro Giusto
8 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 465 (Op. 16/5): Adagio
9 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 465 (Op. 16/5): Allegro
10 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 465 (Op. 16/5): Minuetto, Trio
11 Sextet (Or Divertimento) for Flute & Strings in a Major, G. 465 (Op. 16/5): Gara, Presto
The dominated by the German-Austrian musicology at the beginning of the last century ex cathedra announced estimates of who should be regarded in the 18th century as a composer of lesser importance, are only gradually put in question. Long Boccherini therefore had to wait with it's own, very individual approach to it's rehabilitation as an in relation to the composers of the Viennese classical equivalent artists. His 1770 incurred Divertimenti Op.16 for Flute and Strings show him as a composer, in which the entertainment value never at the expense of musical substance. The thematic ingenuity of this music seems inexhaustible, and her charm is enchanting in every sentence.
