Harmonia mundi is proud to welcome the exceptional countertenor Carlo Vistoli as a new exclusive artist. Here he joins the Akademie für Alte Musik Berlin to explore some of Vivaldi's finest sacred music. Alongside the famous Nisi Dominus and Stabat Mater, the quasi-operatic motet, In furore, shows the extravert, theatrical side of Vivaldi's genius, for the purposes of edification, to be sure, but also for our greater delight.
22 Vivaldi: Stabat Mater, RV 621: VIII. Fac Ut Ardeat Cor Meum
23 Vivaldi: Stabat Mater, RV 621: IX. Amen
24 Vivaldi: Concerto in D minor, RV 129 "Madrigalesco": I. Adagio
25 Vivaldi: Concerto in D minor, RV 129 "Madrigalesco": II. Allegro
26 Vivaldi: Concerto in D minor, RV 129 "Madrigalesco": III. Adagio
27 Vivaldi: Concerto in D minor, RV 129 "Madrigalesco": IV. Allegro
28 Vivaldi: In Furore Iustissimæ Iræ, RV 626: I. Allegro "In Furore Iustissimæ Iræ"
29 Vivaldi: In Furore Iustissimæ Iræ, RV 626: II. Recitativo "Miserationum Pater Piissime"
30 Vivaldi: In Furore Iustissimæ Iræ, RV 626: III. Largo "Tunc Meus Fletus"
31 Vivaldi: In Furore Iustissimæ Iræ, RV 626: IV. Allegro "Alleluia"
Harmonia mundi is proud to welcome the exceptional countertenor Carlo Vistoli as a new exclusive artist. Here he joins the Akademie für Alte Musik Berlin to explore some of Vivaldi's finest sacred music. Alongside the famous Nisi Dominus and Stabat Mater, the quasi-operatic motet, In furore, shows the extravert, theatrical side of Vivaldi's genius, for the purposes of edification, to be sure, but also for our greater delight.
