Christophe Rousset offers his version of Bach's Die Kunst der Fuge, finally tackling the German master's most mysterious work, a phenomenal and unfinished construction whose instrumentation has given rise to musicological debate in recent centuries. Behind the prowess of this cathedral-like work, the performer reveals all the virtuosity that it demands from the keyboardist who brings it to life. This is a meditative journey to the heart of the most ethereal compositional treatise ever written.
1 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus I
2 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus II
3 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus III
4 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus IV
5 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus V
6 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus VI [Per Diminutionem] in Stylo Francese
7 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus VII Per Augmentationem Et Diminutionem
8 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus VIII
9 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus IX Alla Duodecima
10 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus X Alla Decima
11 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus XI
12 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus XII [A 2 Clav. Rectus]
13 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus XII [A 2 Clav. Inversus]
14 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus XIII [A 2 Clav. Rectus]
15 Bach: Die Kunst Der Fuge, BWV 1080 Contrapunctus XIII [A 2 Clav. Inversus]
16 Bach: Die Kunst Der Fuge, BWV 1080 Canon in Hypodiapason (Alla Ottava)
17 Bach: Die Kunst Der Fuge, BWV 1080 Canon Alla Decima in Contrapunto Alla Terza
18 Bach: Die Kunst Der Fuge, BWV 1080 Canon Alla Duodecima in Contrapunto Alla Quinta
19 Bach: Die Kunst Der Fuge, BWV 1080 Canon [In Hypodiatessaron] Per Augmentationem in Contrario Motu
Christophe Rousset offers his version of Bach's Die Kunst der Fuge, finally tackling the German master's most mysterious work, a phenomenal and unfinished construction whose instrumentation has given rise to musicological debate in recent centuries. Behind the prowess of this cathedral-like work, the performer reveals all the virtuosity that it demands from the keyboardist who brings it to life. This is a meditative journey to the heart of the most ethereal compositional treatise ever written.
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