ALBUM INCLUDES NEW MATERIAL BY POKEY LAFARGE, CLASSIC COUNTRY CUTS FROM FERLIN HUSKY, JIMMIE RODGERS, SONNY JAMES, SKEETER DAVIS, BILLY WALKER AND OTHERS PLUS ORIGINAL SCORE
Devil All The Time (Music From Netflix Film) / Various - The Devil All The Time producer and music supervisor Randall Poster commented, “Music helps define these characters and an urgent reality. In this film, music is an effective counterpoint to some of the more suspenseful moments. I love country music and am always excited to ‘step on the gravel road’ and use it when I can. I’m glad Pokey got the part and his ‘Banks of The Ohio’ reinforces the film’s geography. We thought about how to use music to help people understand that we are traveling from 1946 to 1965 in a way that doesn’t feel like it’s self-conscious and doesn’t jump out at the viewer. Music is an organic part of the film, used to set time and place and to capture the spiritual ground of it.”
1 Knockenstiff, Ohio (Score) - Saunder Jurriaans and Danny Bensi
2 Washed in the Blood - Pokey Lafarge and Harry Melling
3 Hillbilly Boogie - the Delmore Brothers
4 Little Bessie - the Stanley Brothers
5 Orphans - Saunder Jurriaans and Danny Bensi
6 The Three Bells - the Browns
7 Put It Off Until Tomorrow - Bill Phillips with Dolly Parton
8 Delusions - Saunder Jurriaans and Danny Bensi
9 Wings of a Dove - Ferlin Husky
10 Honeycomb - Jimmie Rodgers
11 Young Love - Sonny James
12 Up, Up, Up - Saunder Jurriaans and Danny Bensi
13 He Says the Same Things to Me - Skeeter Davis
14 Funny How Times Slips Away - Billy Walker
15 Sinners - Saunder Jurriaans and Danny Bensi
16 Wishful Thinking - Wyn Stewart
17 Banks of the Ohio - Pokey Lafarge
18 Backwards & Forwards - Saunder Jurriaans and Danny Bensi
ALBUM INCLUDES NEW MATERIAL BY POKEY LAFARGE, CLASSIC COUNTRY CUTS FROM FERLIN HUSKY, JIMMIE RODGERS, SONNY JAMES, SKEETER DAVIS, BILLY WALKER AND OTHERS PLUS ORIGINAL SCORE
Devil All The Time (Music From Netflix Film) / Various - The Devil All The Time producer and music supervisor Randall Poster commented, “Music helps define these characters and an urgent reality. In this film, music is an effective counterpoint to some of the more suspenseful moments. I love country music and am always excited to ‘step on the gravel road’ and use it when I can. I’m glad Pokey got the part and his ‘Banks of The Ohio’ reinforces the film’s geography. We thought about how to use music to help people understand that we are traveling from 1946 to 1965 in a way that doesn’t feel like it’s self-conscious and doesn’t jump out at the viewer. Music is an organic part of the film, used to set time and place and to capture the spiritual ground of it.”
