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Francisco Mignone became a leading figure in the Brazilian music scene after his return in 1929 following lengthy studies in Europe. His four Fantasias Brasileiras for piano and orchestra are part of his nationalist phase, with the first in the cycle initiated by soloist Joao de Souza Lima, who asked Mignone for a work with Brazilian flavour. These works share a festive and exuberant style to which the composer would return in his Burlesca e Toccata, which requires acrobatic virtuosity from the soloist in music that surprises by juxtaposing atonality with popular themes.