Johann Sebastian Bach's flute sonatas are chamber music repertoire of rare quality. The six sonatas are all very different from one another in both style and character, and they provide a musical material to explore in depth, to live with and to discover new elements to over a whole lifetime. It has taken a certain amount of courage for these three young musicians at an early stage in their careers to choose to record this particularly well-known repertoire. Their aim with this recording has been to play as they, at this point in their lives, feel that the music must be played. They want each moment, tone or phrase to exhibit complete conviction in it's interpretation, as a result of their ensemble's performance, based on impulses and inspiration between the musicians.
1 I. Adagio Ma Non Tanto - Kristine West/Stina Petersson
2 II. Allegro - Kristine West/Stina Petersson
3 III. Andante - Kristine West/Stina Petersson
4 IV. Allegro - Kristine West/Stina Petersson
5 I. Adagio Ma Non Tanto - Kristine West/Stina Petersson
6 II. Allegro - Kristine West/Stina Petersson
7 III. Siciliana - Kristine West/Stina Petersson
8 IV. Allegro Assai - Kristine West/Stina Petersson
9 I. Allegro Moderato - Kristine West/Marcus Mohlin
10 II. Siciliana - Kristine West/Marcus Mohlin
11 III. Allegro - Kristine West/Marcus Mohlin
12 I. Vivace - Kristine West/Marcus Mohlin
13 II. Largo E Dolce - Kristine West/Marcus Mohlin
14 III. Allegro - Kristine West/Marcus Mohlin
15 I. Andante - Kristine West/Marcus Mohlin
16 II. Largo E Dolce (Siciliano) - Kristine West/Marcus Mohlin
17 III. Presto - Kristine West/Marcus Mohlin
18 IV. Allegro - Kristine West/Marcus Mohlin
Johann Sebastian Bach's flute sonatas are chamber music repertoire of rare quality. The six sonatas are all very different from one another in both style and character, and they provide a musical material to explore in depth, to live with and to discover new elements to over a whole lifetime. It has taken a certain amount of courage for these three young musicians at an early stage in their careers to choose to record this particularly well-known repertoire. Their aim with this recording has been to play as they, at this point in their lives, feel that the music must be played. They want each moment, tone or phrase to exhibit complete conviction in it's interpretation, as a result of their ensemble's performance, based on impulses and inspiration between the musicians.
