'Dominating my Critics' Choice for 1993 are Koch 's outstanding discs of concert works by esteemed film composers... Although the disc of Moross world premieres is especially exciting, both are distinguished not only by superb sound but also by wonderfully bold and intuitive performances that capture the distinctive style of each composer" (Gramophone) "his music's apparent simplicity and accessibility- is often quite sophisticated... this should not surprise us once we recognize counterpoint is basically the science of composition with melody; and the wellsprings of melody flowed for few composers more abundantly than for Moross" (Christopher Palmer)
5 The Last Judgmenti the Resurrection of Eve: Poco Allegretto
6 II. Eve Is Refused Admittance Into Heaven: Agitato Ma Non Troppo
7 III. Adam Charges Eve with the Original Sin: Allegro Marcato
8 IV. Adam's Story (A) Adam and Eve in Eden: Andante Con Moto
9 V. Adam's Story (B) Adam and Eve and the Benefactor: Allegretto
10 VI. Adam's Story (C) Eve and the Benefactor: Allegro Moderato
11 VII. Eve's Denial: Allegro Ma Non Troppo
12 VIII. the Exorcising of the Evil One: Allegro Molto
13 IX. Eve's Story: Allegro Moderato E Marcato
14 X. the Beatification of Eve: Andante Con Moto
15 Variations on a Waltz for Orchestra (1946/66) Waltz: Allegretto
16 Variation 1: Allegro Molto
17 Variation 2: Con Brio
18 Variation 3: Grazioso
19 Variation 4: Presto
20 Variation 5: Andante
21 Variation 6: Allegro Ma Non Troppo
22 Variation 7: Allegro Leggiero
23 Variation 8: Allegretto Cantabile
24 Variation 9: Vivace
25 Biguine (1935) (With N.Z.S.O)
26 A Tall Story for Orchestra (1938) (With N.Z.S.O)
'Dominating my Critics' Choice for 1993 are Koch 's outstanding discs of concert works by esteemed film composers... Although the disc of Moross world premieres is especially exciting, both are distinguished not only by superb sound but also by wonderfully bold and intuitive performances that capture the distinctive style of each composer" (Gramophone) "his music's apparent simplicity and accessibility- is often quite sophisticated... this should not surprise us once we recognize counterpoint is basically the science of composition with melody; and the wellsprings of melody flowed for few composers more abundantly than for Moross" (Christopher Palmer)