Mozart: Symphonies 32, 35 Haffner, 36 Linz and 38 Prague
By BOHM,KARL / BERLIN PHILHARMONIC ORCHESTRA
Release 13/04/2018
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Price: £11.45
Product Notes
"These from his landmark complete cycle... all well received and I enjoyed hearing them again. Böhm is as excellent a Mozart conductor as Karajan, playing the quick movements in the most lively manner... Haffner is enjoyable, with a faster tempo in the finale, and plenty of momentum to the first movement. K318 has a vital and dramatic performance, The Linz minuet and finale both have sturdy, solid playing; a powerful performance... Böhm is really in his element with the Prague: the first movement is magnificent, superbly played, superbly architected. (Overall)... he shows an exceptional ability to bring subtle emphasis to the felicities of the writing..." - (Gramophone).
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Title:
Mozart: Symphonies 32, 35 Haffner, 36 Linz and 38 Prague
2 Symphony No.35 in D Major, K.385: I. Satz: Allegro Con Spirito
3 Symphony No.35 in D Major, K.385: II. Satz: Andante
4 Symphony No.35 in D Major, K.385: III. Satz: Menuetto
5 Symphony No.35 in D Major, K.385: IV. Satz: Finale: Presto
6 Symphony No.36 in C Major, K.425, "Linz": I. Satz: Adagio - Allegro Spirituoso
7 Symphony No.36 in C Major, K.425, "Linz": II. Satz: Andante
8 Symphony No.36 in C Major, K.425, "Linz": III. Satz: Menuetto
9 Symphony No.36 in C Major, K.425, "Linz": IV. Satz: Presto
10 Symphony No.38 in D Major, K.504, "Prague": I. Satz: Adagio - Allegro
11 Symphony No.38 in D Major, K.504, "Prague": II. Satz: Andante
12 Symphony No.38 in D Major, K.504, "Prague": IV. Satz: Finale Presto
"These from his landmark complete cycle... all well received and I enjoyed hearing them again. Böhm is as excellent a Mozart conductor as Karajan, playing the quick movements in the most lively manner... Haffner is enjoyable, with a faster tempo in the finale, and plenty of momentum to the first movement. K318 has a vital and dramatic performance, The Linz minuet and finale both have sturdy, solid playing; a powerful performance... Böhm is really in his element with the Prague: the first movement is magnificent, superbly played, superbly architected. (Overall)... he shows an exceptional ability to bring subtle emphasis to the felicities of the writing..." - (Gramophone).
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