One of the great modern versions of Puccini's most celebrated opera. Angela Gheorghiu embodies an incandescent Tosca of rarely seen dramatic power and vocal flawlessness, and Roberto Alagna is an ideal Mario Cavaradossi, also at the peak of his art. Supported by a great artistic complicity, the warm and ample voices of these two star singers can flourish without restraint and unleash all the fires of passion. Ruggero Raimondi, masterful, portrays the infamous Scarpia as a model of perversity and darkness. Antonio Pappano, leading the Orchestra of the Royal Opera House, Covent Garden, once again proves himself one of the greatest operatic conductors of our time, preserving the slightest nuances of this multi-coloured score.
52 Act 3: "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
53 Act 3: "Il Tuo Sangue O Il Mio Amore Volea" (Tosca, Cavaradossi)
54 Act 3: "O Dolci Mani Mansuete E Pure" (Cavaradossi)
55 Act 3: "Senti, L'ora È Vicina" (Tosca, Cavaradossi)
56 Act 3: "Amaro Sol Per Te M'era Il Morire" (Cavaradossi, Tosca)
57 Act 3: "E Non Giungono" (Tosca, Cavaradossi, Carceriere)
58 Act 3: "Com'è Lunga L'attesa!" (Tosca)
59 Act 3: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Coro)
One of the great modern versions of Puccini's most celebrated opera. Angela Gheorghiu embodies an incandescent Tosca of rarely seen dramatic power and vocal flawlessness, and Roberto Alagna is an ideal Mario Cavaradossi, also at the peak of his art. Supported by a great artistic complicity, the warm and ample voices of these two star singers can flourish without restraint and unleash all the fires of passion. Ruggero Raimondi, masterful, portrays the infamous Scarpia as a model of perversity and darkness. Antonio Pappano, leading the Orchestra of the Royal Opera House, Covent Garden, once again proves himself one of the greatest operatic conductors of our time, preserving the slightest nuances of this multi-coloured score.
