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Product Notes
Many Years Before the Dawn of the Rossini Renaissance, Two Faultless Bel Canto Protagonists of the 1960S and '70S, Renata Scotto and Alfredo Kraus, at the Beginning of Their Respective Careers, Sang This Rossini 'Il Barbiere Di Siviglia' in Naples in 1958. Despite Both Appearing in Roles They Would Soon Abandon, It's Highly Unlikely One Could Have a Word of Criticism About Their Performances Here. In the Title Role, As Theatres Used to Do in Those Years, a Dramatic Baritone Voice Specialized in Verdi and Verismo Roles; Here the Figaro Heard Is the Remarkable Aldo Protti.
7 La Ran la Le Ra, la Ran la la... Largo Al Factotum Della Citta
8 Ah, Ah! Che Bella Vita!
9 Se Il Mio Nome Saper Voi Bramate
10 All'idea Di Quel Metallo
11 Numero Quindici - a Mano Manca
12 Bella Voce! Bravissima!
13 Io Sono Docile, Son Rispettosa
14 Si, Si, la Vincerò
15 La Calunnia E Un Venticello
16 Ah! Che Ne Dite?
17 Ma Bravi! Ma Benone!
18 Dunque Io Son
19 Ora Mi Sento Meglio
20 A Un Dotter Della Mia Sorte
- Disc 2 -
1 Finora in Questa Camera
2 Ehi, Di Casa! Buona Gente!
3 E Rosina... Or Son Contento
4 Bravo, Signor Barbiere
5 Che Cosa Accadde
6 Freddo Ed Immobile
7 Ma Vedi Il Mio Destino!
8 Pace E Gioia Sia Con Voi
9 Insomma, Mio Signore
10 Contro Un Cor Che Accende Amore
11 Cara Immagine Ridente
12 Quando Mi Sei Vicina
13 Don Basilio!
14 Bravo, Signor Barbiere
15 Buona Sera, Mio Signore
16 Orsu, Signor Don Bartolo
17 Che Vecchio Sospettoso!
18 Il Vecchiotto Cerca Moglie
19 Alfine, Eccoci Qua
20 Ah Qual Colpo Inespettato!... Zitti, Ziti, Piano, Piano
21 Ah Disgraziati Noi!
22 Di Si Felice Innesto Serbiam Memoria Eterna?
Many Years Before the Dawn of the Rossini Renaissance, Two Faultless Bel Canto Protagonists of the 1960S and '70S, Renata Scotto and Alfredo Kraus, at the Beginning of Their Respective Careers, Sang This Rossini 'Il Barbiere Di Siviglia' in Naples in 1958. Despite Both Appearing in Roles They Would Soon Abandon, It's Highly Unlikely One Could Have a Word of Criticism About Their Performances Here. In the Title Role, As Theatres Used to Do in Those Years, a Dramatic Baritone Voice Specialized in Verdi and Verismo Roles; Here the Figaro Heard Is the Remarkable Aldo Protti.
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